The 10 Best Children’s Books of 2020 by New York Times
A boy who struggles with stuttering (as does the author, a Canadian poet) finds relief in a trip with his father to a nearby river, where he sees that turbulence and eddying are part of the natural flow. Smith’s immersive illustrations richly convey the boy’s sensory experience as he swims toward self-acceptance.
“Dear Visitor from Outer Space,” the child narrator begins, “if you come to Earth, here’s what you need to know.” Blackall delivers on the promise: Her wondrous book seems to contain multitudes — the world’s every river, flower, person, cruise ship and bottle cap.
In Pinkney’s vivid reimagining of Hans Christian Andersen’s classic fairy tale, the mermaid befriends a human girl instead of pining over a handsome prince, and all the characters, human and mermaid, are Black.
Based on Tamaki’s experience volunteering at a small community kitchen that feeds the hungry, this color-saturated, mouthwatering whirlwind of a book bursts with energy from the moment its diverse group of characters starts chopping and slicing, whisking and whipping.
Underwood’s quietly profound text and Derby’s lush art provide a homage to nature, and a comforting reminder that Outside will be there for us when we’re ready. “I’m here, Outside says. I miss you.”
This joyous celebration of childhood, culture and place by the Jamaican poet (who died in 2017) follows a young girl named Afiya — “health” in Swahili — whose summer frock “collects” what she sees as she dances across an island in motion. Each airy spread is a fresh canvas for its Brazilian illustrator, just as Afiya’s dress is newly washed each morning.
This strangely beautiful art object of a book traces O’Connor’s first forays as a writer to an outsize fascination with the chickens in her childhood backyard. Alznauer pairs a grounded, authentic vernacular with a lyricism that takes flight, while Zhu’s depiction of odd human proportions against brilliant brushstroke plumage enchants.
When a little girl’s brother tells her “our future is doomed,” in this entertaining yet serious story drawn in Yoshitake’s signature cartoon style, she runs in a panic to her grandmother, who helps her to imagine many possible futures, rather than to think only in terms of good and bad scenarios.
Danger, magic, surprise and awe abound in this masterly, wordless debut about a paper boat’s nighttime sea journey into the unknown.
This moody watercolor-soaked story of an introvert’s creative awakening by the self-taught Argentine artist Guillermo Decurgez (known as Decur) begins on “moving day,” as a boy who believes the world exists only inside his cellphone finds a mysterious notebook in the secret compartment of a desk in his new room.